An Evening at the Martinstift — Korean Pianist William Youn between Mozart, Ravel, Schubert, and Rebecca Saunders
Founded in Essen in 1989, the Klavier-Festival Ruhr is now considered the world's largest piano festival — over 70 concerts are held annually in numerous cities in the Ruhr area and on the Lower Rhine. Anyone traveling through Essen, Duisburg, Bochum, Recklinghausen, or Moers in May or June has a realistic chance of spotting a concert poster in a shop window. The 2026 festival runs from May 7 to July 21.
The festival's venue in Moers is the Martinstift at Filder Straße 126 — a historic, small concert hall with warm, chamber music acoustics. Exactly the format a solo piano evening belongs in: not a town hall, not a gigantic concert hall, but direct proximity between pianist and audience. Moers itself, located on the western edge of the Ruhr area in the Wesel district, has a strong music scene beyond the Klavier-Festival — think of the moers festival for improvised music.
William Youn, born in Seoul, belongs to the generation of Korean pianists who have shaped the classical solo career in Europe and North America. Trained by Karl-Heinz Kämmerling and Dmitri Bashkirov, he later deepened his Mozart interpretation with Andreas Staier. His complete recordings of Schubert and Mozart sonatas are internationally recognized. His style combines technical precision with emotional depth — no effect-driven piano playing, but a genuine understanding of the works.
The evening in Moers showcases the Klavier-Festival in its typical character: not a pure classical best-of, but works spanning different eras. Mozart's Rondo in A minor K 511 (1787, a later solo composition) stands alongside Ravel's impressionistic soundscape "Une barque sur l'océan" from Miroirs (1905). Rebecca Saunders — a contemporary British composer — brings the 21st century with "Mirror, Mirror on the Wall". The second part is dominated by two Schubert sonatas: the late A major Sonata D 959 and the youthful, stormy A minor D 537.
The concert takes place in the Wesel district, which bridges the Lower Rhine and the western Ruhr area. Those familiar with the Klavier-Festival from Essen or Duisburg will experience a distinctly more intimate version of the same festival in Moers — and that is precisely the concept: experiencing stars like William Youn in a close, quieter format. The state of North Rhine-Westphalia is not coincidentally home to one of the world's densest concert calendars.
A solo evening at the Martinstift Moers as part of the Klavier-Festival Ruhr. William Youn presents a program spanning classical, impressionist, contemporary music, and Schubert. The concert begins at 8 PM and lasts approximately two hours, including an intermission.
The evening is part of the Klavier-Festival Ruhr 2026, which features over 70 concerts from May 7 to July 21 in cities between Essen and Moers. The Moers venue traditionally hosts the festival's more intimate, chamber music concerts.
Concert duration approx. 2 hours including intermission. Soloist: William Youn (Piano). Venue: Martinstift Moers.
Moers train station (RE 44), from there a few minutes' walk or by bus to the Martinstift. By car via A57 or A40.
€29 – €49 depending on category. Booking via the festival website or Ticketline +49 (0)201 89 66 866.
8:00 PM. Duration approximately two hours including a break of about 20 minutes.
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Martinstift Moers
Filder Straße 126, 47447 Moers