Bamberger Totentanz
Citizens' Theatre Spectacle on the Cathedral Square – Man and Death in the UNESCO World Heritage Site
2026
About Bamberger Totentanz
Bamberger Totentanz — edition 2026
Bamberger Totentanz 2026 – The First Festival
In 2026, the Totentanz will be staged as a festival for the first time: three performances on October 30, October 31, and November 1, 2026, complemented by a city-wide accompanying program of exhibitions, readings, concerts, and thematic city tours. Focus: the last 125 years of Bamberg's history – from the early 20th century to the present day.
Research and Conception
Pupils from the Franz-Ludwig-Gymnasium, under the guidance of Julia Behr, have researched the most important events and personalities in Bamberg's history over the last 125 years. Based on this material, author Dr. Martin Beyer has written the text. Jochen Neurath is composing new music that sonically illustrates the individual decades.
Highlights Bamberger Totentanz 2026
- Promenade theatre on Bamberg Cathedral Square – UNESCO World Heritage site as a stage
- 100+ Bamberg citizens as ensemble
- Felix D'Angelo as Death, Nina Lorenz directing
- Original music by Jochen Neurath
- First time: Festival with exhibitions, readings, and concerts
- Focus 2026: 125 years of Bamberg's history
Programme Bamberger Totentanz 2026
Performances
- Friday, October 30, 2026 — Admission 2:30 PM, Start 3:00 PM
- Saturday, October 31, 2026 — Admission 2:30 PM, Start 3:00 PM
- Sunday, November 1, 2026 (All Saints' Day) — Admission 2:30 PM, Start 3:00 PM
Venues – Promenade Theatre
- Cathedral Square (Main location)
- Old Court (Courtyard, individual stations)
- Ten stations will be visited during a performance
Artistic Team
- Direction: Nina Lorenz
- Text: Dr. Martin Beyer
- Composition: Jochen Neurath (Cultural Prize Winner City of Bamberg)
- Death: Felix D'Angelo
- Choir: Annette Schäfer
- Festival Director: Michael Hanisch (AGIL e.V.)
Accompanying Program (Festival)
- Exhibitions in Bamberg museums and Villa Concordia
- Readings with Dr. Martin Beyer and other authors
- Thematic city tours (VHS Bamberg)
- Concerts featuring works by Jochen Neurath and medieval Danse Macabre music
- Program details: agil-bamberg.de
Prices Bamberger Totentanz 2026
Tickets available via Ticketino. Prices and seating categories are available on the ticket sales platform. Sturdy footwear recommended (outdoor promenade theatre). Accompanying program: many events with free admission.
Practical information — Bamberger Totentanz
Getting There
Bamberg is located in the Upper Franconian district of Bamberg. By train: Bamberg Hauptbahnhof (ICE stop, from Munich, Berlin, Würzburg). By car: A70 (Bayreuth–Schweinfurt) exit Bamberg, A73 exit Bamberg-Süd. From the main station to the Cathedral Square is approx. 1.5 km on foot through the old town.
Tickets
Tickets are available via the official AGIL website agil-bamberg.de and via Ticketino (online). Admission is at 2:30 PM, start at 3:00 PM. Sturdy footwear recommended (outdoor promenade theatre).
Participation
Interested Bamberg residents can apply for the next edition at [email protected].
Theatre in the UNESCO World Heritage Site
Bamberg has been a UNESCO World Heritage site since 1993. With the Imperial Cathedral, the Old Court, and the Cathedral Square, the city possesses one of Bavaria's most spectacular theatre backdrops. AGIL e.V. – the Bamberg Museum Education Association – has established the Totentanz in this setting as one of Germany's most ambitious citizens' theatre projects.
Promenade Theatre Concept
The Totentanz is conceived as a promenade theatre: the audience follows Death (Felix D'Angelo) through ten stations on the Cathedral Square and in the Old Court, encountering historical figures from the city's history – Emperor Henry II, Otto von Wittelsbach, Agnes Schwanfelder, Lothar Franz von Schönborn – and experiencing the dialogue between Death and the living. The production follows the tradition of medieval Danse Macabre (like Holbein's famous cycle), but radically updates it: not a moral warning, but a political, philosophical, and sometimes humorous exploration of mortality, history, and the identity of a city.
100+ Bamberg Citizens as Ensemble
The special feature: the roles are not filled by professional actors, but by Bamberg residents from all walks of life – pupils from the Franz-Ludwig-Gymnasium research city history, seniors play historical figures, construction workers alongside professors. Annette Schäfer leads the citizens' choir. This mix is the heart of the project: city history played by the people.
Artistic Team
Directed by Nina Lorenz, who has been involved with the project since 2024. Death is played by Felix D'Angelo. The text for 2024 was written by bestselling author Tanja Kinkel; for 2026, Dr. Martin Beyer takes over. The original composition is by Jochen Neurath, Cultural Prize winner of the City of Bamberg. Festival director is Michael Hanisch (AGIL e.V., Vice-President of the European Danse Macabre Association). The performances are under the patronage of the City of Bamberg and supported by numerous cultural institutions.
From Theatre to Festival
Previous performances in 2012, 2014, and 2018 were purely theatrical. In 2024, the production was revived with Tanja Kinkel's text and great success. In 2026, AGIL e.V. is broadening the scope: the theatre project becomes the Bamberger Totentanz Festival with accompanying exhibitions, readings, concerts, and city tours, coordinated with VHS Bamberg, Villa Concordia, and other cultural organizers. Focus for 2026: the last 125 years of Bamberg's history.
Imperial Cathedral as Stage
The venues themselves are actors: the Imperial Cathedral with its medieval sculptures (Bamberg Horseman), the Old Court with its Renaissance courtyard, the vast Cathedral Hill square with views over the old town. Visitors to Bamberg will see the Totentanz and simultaneously understand the city – architecture and play merge.
Where it takes place Bamberger Totentanz
Bamberger Totentanz at a glance
History of Bamberger Totentanz
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Published by Valentin Contard, festival listings writer. Reviewed, corrected and approved by Christophe Contard, editor-in-chief. .